Kate Bergstrom’s creative journey has taken her across the country. From founding the On Verge festival in Santa Barbara to programming the Big Eddy Film Festival in New York, she’s dedicated her career to delivering exceptional cultural experiences. As director, she helmed productions for Marin Theatre Company, Alabama Shakespeare Festival, Trinity Repertory Company and more. Now, she made the move to St. Louis and taken on the role of Augustin Family Artistic Director at The Repertory Theatre of St. Louis.
where I’m from …
I’m migrating here from New York, but I grew up moving between California and Michigan. As a freelance director, I’ve worked with The Rep before, and I love St. Louis. Since moving, I’ve gotten to know so many cool pockets and neighborhoods. I love the amazing restaurants, Lafayette Park and the arts and culture scene. I can’t wait to take more in.
how I discovered theater …
It’s definitely a life passion of mine. I first fell in love as a young kid when my mom, an English teacher, took me to the Hollywood Pantages Theatre in Los Angeles. After that, I auditioned for a production of Peter Pan—I went out for Wendy and was cast as Captain Hook. That changed my trajectory to become a theater-maker for the rest of my life.
why I chose directing …
I began as an actor, but I ended up falling in love with directing near the end of college when a professor asked me if I would be interested. Being a female identifying person, I never thought there was a place for me. In my mind, directors were wise old men. I discovered all of these amazing fem directors who became my mentors. It was exciting.
my favorite thing about theater …
It’s the people, the community for sure. Theater people are some of the hardest working people in the world—and the most intelligent and fun. I also love the delight and surprise of audience members when they get to see something truly transformative and incredible. There’s nothing quite like it. It’s life affirming.
a memorable production I’ve worked on …
I’ve been so blessed by so many of the projects I’ve worked on. My most recent show with The Rep was the radio play of It’s a Wonderful Life. We worked with an all local cast, and it was one of the most special experiences of my directing career. We were proud to create a St. Louis-inspired show. I fell in love with the city, and the ensemble had so much fun creating a production that was about the power of community and the need for all of us to be better together.
what I do …
My role is really threefold: making sure we program and tell excellent stories; working with my partner in crime, managing director Danny Williams, to ensure The Rep is functional; and managing and overseeing the different artistic teams.
my thoughts on st. louis …
There are world class artists here who have dedicated their time and talent to excellence in the arts. There’s a real interest in the heart of what unites us all regardless of politics, religion or socioeconomic status. St. Louis is the crossroads of America. We have the potential to get a fuller picture of the country, and that gives vibrancy to the art that is made here. There’s a sense of truth and depth that is irreplaceable.
my goal with the rep …
I want to really celebrate St. Louis and continue The Rep’s legacy of creating memorable, galvanizing experiences for everyone who comes through our door. In three to five years,
I would like us to be a catalyst for sharing the amazing culture in St. Louis. I would like to use The Rep to bring the community together through extraordinary theater. I’m looking forward to great productions and building up a sense of connection.
what st. louis can expect …
I’m looking for The Rep to deliver relevant and meaningful seasons of adventurous theater. For years to come, people will come to us to see something excellent on the stage that really takes them on a journey—a story that is sparkling with life and vivacity. Our audiences will be treated to a unique experience while being respected and cared for. The Rep really is a place for all of St. Louis.
